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A huge congratulations to our very own SPW tutor Michael Good who recently entered a work in the Thirroul Seaside Art Festival.  Competing against over 300 other invited artworks and judged by the curator of Wollongong University Art Collection, Michael won the overall, Anita Commelli Prize .

Upon seeing the work I was immediately intrigued by the process that led to it’s creation. As it turns out the process was a collaboration of two great talents and is an alternate slant on the CGI (Computer Generated Imagery) process that seems to dominate today’s photography. I asked Michael to pen a few words about his latest collaborative project.

© Michel Good

“A little over a year ago I had a chance meeting with an amazing artist Arthur Apanski, when I was commissioned to photograph his house being put up for sale.  I found it very difficult to control my enthusiasm, as every wall in this little cottage was filled with a number of Arthur’s amazing artworks.  Of course being the curious type I talked with Arthur for quite some time about his works and what he had in mind for the future.  This led to us coming up with a new challenge that Arthur believes hadn’t been done before.  I was to get some of my landscape photos printed on to large format canvas and then hand it over to Arthur for him to perform his own piece of magic on the works.

To set the context of my trepidation I provide you with two images which easily show Arthur's amazing and very intimidating talent.

Our first projects consisted of two commissioned works.  One of which was for a local builder who wanted a classic Arthur signature piece to hang on his wall.  Not being able to afford one of Arthur’s original works we offered to create an artwork especially for him.  This meant photographing his favourite landscape (East Corrimal Beach) and then handing over to Arthur for his interpretation.  East Corrimal beach is a very classic long sandy beach with small sand dunes.  A very cliche kind of landscape.

Being the first work I was going to produce for Arthur I had little idea as to how it should be photographed.  To add to the mystery I hadn’t met nor spoken with the client.  This gave me free reign over how I chose to photograph the landscape.  Having gone to the location more than a dozen times in varying lighting conditions I felt that I had a good selection to present to Arthur.  I had photographed from many varied angles emphasising many different aspects form large landforms to small detailed driftwoods.  In the end I need not have worried too much as the point of the project was that I would give my own impression of the landscape.  Arthur would then add to it without comment or input from myself.  We wanted to see how the project could work without collaboration.  i.e. I was not to produce works to suit Arthur nor would he try to enhance or compliment the landscape presented.  He would simply interpret the scene and paint accordingly.

Here is the end result of the first commissioned work. Arthur's belief is that Wollongong will be inhabited by great lizards and crocodiles in 50 years due to global warming.

The second commissioned work was for a client who had inherited the family home which would be demolished in the near future and so the theme was to show the existing house being carried away much the same way as the sand dunes come and go…

Our second commission

We have since moved on to our main project which are my selected landscape works to be exhibited in the Wollongong City Gallery in 2011. So far we have produced 8 art works, some of which you can see here. This experience so far has really made me look at landscape and people photography in a whole new light.  Not being content with cliche images the project has forced me to think in a more artistic way and really consider all the elements including composition, colour and textures and of course considered lighting and atmosphere.  This will help my future photography grow to greater heights no doubt.  Being my first exhibited work I’ve now gained a desire to enter more competitions.

© Michael Good

© Michael Good

© Michael Good

© Michael Good

© Michael Good